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‘Leila Abdelrazaq tells a coming of age story that is funny, angry and deeply human … Baddawi is the story of her father’s childhood in a Lebanese refugee camp. It is also the story of hundreds of thousands of displaced Palestinians.’ — Molly Crabapple, author of Drawing Blood
Beneath Our Armour is unique. This sequence of portrait poems covers vast tracts of history, geography, and personae in a way that is at once intimate and epic.
Australia has a rich history of feminist poetry but there is no one kind of feminist voice.
Each of the seventy new poems commissioned for this anthology cuts its own path through language. Together, their politics are restless, inextricably tied to the now.
‘Content lampoons and laments the narcissism that accompanies the supposed information age … Ferney’s poems gun their way through a globalised economy with acronyms, diminutives, and inventive linguistic flares.’ — Gig Ryan
‘This is arrestingly incarnated poetry diffused with female luminosity.’— Pam Brown